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Art movements were rife with hocus pocus during the early part of the twentieth century. Commissioning Editor Waldemar Januszczak as part of a major arts series looking at the history of Modernism.
Jeremy Bugler, Frances Stonor Saunders, Christopher Spencer
March 8, 1995
The occult roots of abstract painting, especially the influence of Theosophy on Vasily Kandinsky and Piet Mondrian. Kazimir Malevich and Frantisek Kupka are also mentioned at the beginning of the programme but we don’t hear anything more about them.
March 15, 1995
A history of the Congress for Cultural Freedom, a CIA front for channelling money to avant-garde exhibitions and literary magazines during the Cold War.
March 22, 1995
Modernist architecture as a reaction to, and proposed solution for, the squalor of 19th-century city life. Also the similarity between the impulses that drove the Modernist architectural ideal, and the later health and purity obsessions of European fascist states.
March 29, 1995
The inadvertent way in which the animus towards “degenerate art” shared by the Nazis and the Vichy regime in occupied France helped sustain Modernism during the war years.
